Archive for the ‘Life beyond the chess board’ Category

Former county team mate Kevin Williamson handed this to me, a draw from the clutches of those scowling winds of Winter, way back in 1992. I can see why I gave up chess 5 years later. Puny little attack that was going nowhere in an opening I was uncritical of. Thankfully I have no recollection of this particular game, but can account for why I played that way at that particular stage of my life… .

I blame Peter Montgomery for that. I am white.
I did learn not to play like that.
Premature and going nowhere.
Old man’s chess.
Black is fine.
Going nowhere.
Going nowhere.
Going nowhere.

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Viewing history as a literary artefact is not a debillitating nor less a terminal complaint. Rather, recognizing the importance of narrative explanation in our lives as well as the study of the past could liberate historians as we acknowledge and try to narrate the disruptive discontinuity and chaos of the past and in the present. The desire is, in itself, a product of our own age’s preoccupation with understanding the nature of our seemingly chaotic lives. History is itself historical -its methods and concepts as well as the debates about its nature are the products of historical time periods. Alan Muslow – Deconstructing History (1997)

Those who put Bedfordshire on the map over the years:

  • First, Dickens and White Chess in Bedfordshire (1933)
  • Second, G.H. Diggle (1950’s onwards but sporadic)
  • Third Walter Bramwell Hirst (1950’s onwards, problems appreared in The British Chess magazine and have been kept by The British problem society)
  • Forth, Edward Winter (Chess notes, 90’s onwards)
  • Fifth, Adrian Elwin (Archivist 2000 onwards)
  • In terms of what has put Bedfordshire on the map. Inexorably, county results in the national county championships can be found in the (what was) BCF yearooks (and is now) the ECF yearbooks, all of which can be found in the British Library, should you consider them of interest…should it remain the case I have not done so and posted them on this site (more than less likely).

With regards to the digital revolution we are, happily, undergoing, a number of blogs have subsequently emerged: (most obviously this ‘un). Also:

But who be him that has written about our chess history the most? Moi of course.

Mark. J. McCready, Mandalay, Myanmar

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“The experience of art is exemplary in its provision of truths that are inaccessible by scientific methods, and this experience is projected to the whole domain of human sciences.” Gadamer

As an undergraduate in Philosophy, I once took part in the Erasmus programme, where students spent a semester at a designated university of their choosing somewhere in Western Europe -and got paid to do it also! I chose Turku University, Finland in the rainy Autumn of 96.

There, I took book exams (one of which was on Plato’s Republic), lectures and seminars too, mostly on the Philosophy of Science, principally focusing on the text below.

It was a very good read with an interesting title that helped no end that dull grey morning I had to give a presentation on logical posivitism to my class, as my friend Markko watched on with interest. Progress and its problems. Hmm…

It could be argued the modern chess world has much progress and it, too, is not without its problems. For computerization, and the reliance on it, has created a culture of suspicion which reaches beyond you not being allowed to use electronic devices during your game. In fact anything that allows you to store information is expressly forbidden nowadays. This includes objects that were never seen as a problem for decades.

You aren’t allowed to write your move down before you play it now as this can be interpreted as taking notes. Also, you are not allowed to use a scorebook anymore as they may contain notes from previous games which may assist you.

So no more scorebooks then. I had many from the early 1990s as I always used them and never dreamed of using them to look at pre-existing games during play. No one ever did but in the current climate, this is not acceptable. Scorebooks just aren’t allowed anymore. End of story. Don’t ever mention that hardly anyone cheats ever, or anything like that. It won’t do you any good. Supposedly borne in mind here is the greater good and it is that what counts…or so I’ve been told.

I used to enjoy studying the hermeneutics of suspicion immensely as I was something of a Nietzschean back in the day. But I must say it is somewhat saddening that so much suspicion exists in chess today. Quite unnecessary if you ask me. But given that chess doesn’t exactly pass as an academic discipline and languishes in and amongst the netherworlds of intellectual pursuits instead.

MJM

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Brief book recommendation here (allegedly). Only on chapter II but I am well-read enough to spot a read worth its price.

Yes it’s rather outdated. Yes descriptive notation is used. Yes the author ran a column in The New Statesmen for decades. And yes when I created a thread about him, noted authors were generally complimentary towards him.

But as you may know. Not all books on chess are written well and as is true in all fields some are better than others and some are much better than others. The authors style is indeed impressive. Here he makes a rather basic point but expresses it rather eloquently:

‘It is nice enough to enjoy other people’s brilliances, but nicer still to produce one’s own. To derive some aesthetic pleasure from the flights of fancy conjured up on the sixty-four squares is delightful enough when the conjurer is someone else, but the pleasure can be much enhanced by the thrill of creation and the pride of achievement.’

In the following passage the author Heinrich Fraenkel gives you an idea of his playing ability and character :

‘Regarding the topic of blunders the topic is handled quite delicately and written for a broad audience:

‘What about our own? Most of us, surely, have no shortage of them and some (some?) of us may have more than they care to remember. They are wrong for there is nothing like of the past to serve as a useful lesson for the future (ed: most, if not all SGMs will cite that as an integral part of the leasing process. A lesson to never blunder again. That could hardly be expected (please take note this was written before faster time controls were introduced). More likely, it will be a lesson to accept our every future blunder with ever more equanimity.

The only sad point I feel worth drawing attention to is on page 53 where he commits the cardinal sin in the chess literature genre, that being defining chess players as only that. He portrays Botvinnik as the world champion only, rather than a human being and a Soviet citizen. ‘Botvinnik has the rare distinction of having gained and lost and regained such paradise ‘the glory of supreme achievement’ as he put it. Although undeniably true, the tragedy is when you bypass the normative aspects of what something is, you invariably say very little about it. Botvinnik took time out to do a Ph.D, he became an engineer and was well promoted. He was a father too! It was a little saddening to find another characterisation where only their chess was of importance, but then it is replete within chess literature as a genre and has always been. It’s a little saddening when the author clearly has strong writing skills that they don’t write as broadly as they could…but the good news is a more wholesome account of Symslov appears in the following chapter, which we are entitled to dub a reprieve.

August 15th update

So I read the book. The latter sections contain content I found astonishing. I don’t ever recall seeing someone who is not a native speaker of English write so well with it, I really don’t. Great writer, of that there is no doubt. His stature in his day I am less sure of. His account of Soviet Chess I shall reproduce on this site at a later date.

Well worth a read if you can lay your hands on it.

Mark. J. McCready

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I do recommend you scroll through the columns below as they will help you form a picture of what how chess was played in Bedfordshire then. There are noticeable differences to nowadays and it is a critical mistake to assume our county was unified back then -it most certainly wasn’t.

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To prepare for a visit to Bangkok Chess Club and a FIDE rated Rapid tournament next weekend, and then a 9-round classical chess tournament the week after in the countryside, I have begun to ready myself…to prepare.

I’ve tidied up my opening repertoire already and begun reading Rowson once more. I’ve also noted down what my weaknesses are and how to work on them. I’ve begun playing 10 minute games as well, to implement what I have learnt from Rowson and what I have taught myself. You can find selected games below, which I hope illustrate the size of the task ahead and help raise my awareness of what needs to be done.

Game 1

Game 2

MJM

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I decided to look at an early career victory by GM Plaskett over GM Speelman. And although the position below looks rather promising, I don’t see how Stockfish evaluates it so. I wouldn’t even call it winning…just promising.

All info required is in the image below.

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We played on the same team on 87 (Luton A), and were members of the same club in its final year, so let’s see if Board 1 can beat Board 4! (most probably!)

Game on

1. e4 c5. We start with a Sicilian because it offers more counterplay than the French, which I grew rather tired of as the years rolled on by.

2. Nf3 e6 3. d4 cxd4 4. Nxd4 Nc6 5. Nc3 Nf6 (note to self: try to remember the correct bloody move order next time please!). Uppsala! Having not played one single game in 8 months, I simply forgot 5. …a6 or 5. …Qc7 are the most playable responses that avoid transposing towards the deluge of open Sicilian theory -clumsy.

6. Ndb5 d6 (almost a necessity and frighteningly transpositional!)

7. Bf4 e5 8. Bg5 a6 9. Na3 b5 10. Nd5 Be7

We have transposed into the Sveshnikov but that’s quite alright as I played it for a few years and read up on it too! But as GM Rowson once said ‘the Sveshnikov is full of holes’. They can appear on both flanks, some caution is needed.

11. Bxf6 Bxf6 12. c4

Yoicks, not the main move, so now I am out of book. Although 12. …Qa5 may look tempting, its not at all, its premature. Black has threats to attend to before any counterattacking ideas can be put into play. I could lose the exchange or a pawn easily if I am not careful. So the plan is to shut things down and shore things up, that way the position should stay in tact – hopefully should! I can’t really tell because I am out of book already, so will stick to the few opening principals I learnt some ten years ago.

12. …b4 (let’s shut things down) 13. Nc2 a5 (and shore things up) 14. Qf3! I chose exclamation mark because I’ve never seen that move before and don’t know why it’s played. Here I play 14. …Be6 because usually the light-squared bishop goes to either e6 or b7 and I never worked out why the latter was the preferable option so, once again, I stuck it on e6, and also because I couldn’t work out what else to do, so blindly follow opening theory and principles I shall but this is really just about as far as I can go, I’m pretty much on my own from now on. I know I may get double f-pawns but that’s okay, all it means is the king should stay in the centre, and that’s okay, its quite safe there with the bishop on e6.

15. Nxf6 (from what I understand this is thematic as black usually ends up with doubled f-pawns)

15. … Qxf6. I spent around 5 minutes thinking about this. In principle, white’s remaining knight is heading to d5, so why would I want to put my queen on f6? I played it because the white queen is on f3, and unless white exchanges, I gain a tempo, which I can lose with, say Qg6, should the knight land on d5. I’m not expecting an exchange of queens.

16. Qxf6 gxf6 17. 0-0-0. Now what do I do?

Much thought required here. Where does the king go? I don’t really want to place it on e7 if a knight can pop into d5. I have to keep my bishop on e6 and exchange off if that happens but if it does, I think my knight is slightly better than white’s bishop as it can stay unchallenged on d4. Do I castle queenside? My rook can gain counterplay on the a-file, do I want to take it off that file?

18. … 0-0-0

Updates to follow

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I’m going to have a T-shirt printed to show off the two clubs I am affiliated to. Here are the images I concocted. You could say I am an artist or you could say I like to play around.

It reads Bangkok Chess Club.
These are actually Luton football hooligans.

MJM

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Ex-Luton player G. H. Diggle once described Mr. James Plaskett as Bedfordshire‘s strongest ever player and who can argue with our Geoffrey, arguably the funniest writer chess has ever seen? The claim made is undoubtably true and how wonderful it was to learn that James has a puzzle attributed to him too! Not that he composed it but in the company of the world’s best competing at a blitz tournament -drew attention to it instead! And I can assure you that with regards to puzzles per se, they are faith no more outrageous than this one! Context is provided here https://en.wikipedia.org/wiki/Plaskett%27s_Puzzle and is used in the video below and yes its well worth a watch!

MJM

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